The characters you come across are also a likable lot (it says a lot that there are a good amount of achievements for interacting with various people in different ways), ranging from teenage rebels to matriarchal farmers. There are even some particularly unique highlights, with a calligraphy decoder and a hidden chalkboard message being personal standouts. The walking speed is perfect, and while the puzzles could stand to be a tad more challenging, with the linear fashion ensuring that the items you need at the moment are always close by, they do get the job done. The portraits of the characters are also equally amazing, helped by the voice actors doing some stellar work.Īs you may have expected from a point-and-click adventure game, the gameplay is nice and simple. Even if it's not the most creative world, it still manages to come across as a living, breathing piece of beauty (you know, ignoring the wrecked machinery, corpses and whatnot). As with all Wadjet Eye games, pixel art is used to its finest effect here, having crafted every little bit of scenery with incredible details and little animations throughout. What definitely helps sell Shardlight, though, is that it definitely does look frigging gorgeous. There is a notable thread involving a mysterious figure known only as the Reaper, who definitely provides the more interesting bits of this tale, and the titular light itself, caused by uranium glass used as a light source by UV rays striking shards hung up all over town.except you wouldn't learn that unless you examined a shard on the very first screen, and there's not much in the way of creative world-building after that. Mind you, it's definitely not a bad story, a very good one, even (save for some iffy parts we'll get to), it's just that the game never really flings any curve balls at you. Yes, Shardlight doesn't miss a beat here when checking off the cliches, from the ramshackle marketplace to the doomsday cult to the propaganda posters. Of course, this eventually leads to her stumbling onto a group of revolutionaries determined to expose The Aristocrats for who they are (and yes, the villains are actually called "The Aristrocrats," even dressing up in powdered wigs and turn-of-the-century clothing like they were BioShock Infinite characters) and uncover their conspiracy, because of course there's a conspiracy in a story like this. Finding herself with some of the disease's symptoms, Amy takes on a dangerous government job in order to win a lottery ticket to hopefully save her from the deadlier stages of the illness. Shardlight is the story of Amy Wellard, a woman who has grown up in a country rocked by a bombing twenty years ago and finds several of its inhabitants suffering and potentially dying from a deadly disease called Green Lung. Again, they use them as the blueprints for a well-crafted game.but this time, even though the end result is still enjoyable, they left out some of the unique flair in the process and had a few chips in the structure. Now Wadjet Eye has taken on the role of the developer again for their latest title, Shardlight, and have swapped out the cyberpunk tropes for post-apocalyptic dystopia tropes. Of course, Wadjet Eye was the publisher behind that game, with Technocrat being the developer. It may have been overflowing with cyberpunk tropes, but it still managed to use those tropes as a foundation for a well-constructed game draped with its own unique flair. Just take Wadjet Eye's offering from last year, Technobabylon. And as mentioned, this isn't necessarily a bad thing. Last month when revealing Shardlight's release date, I noted how Wadjet Eye Games tends to often stick to the familiar territory of graphic adventure games with the look and feel of mid-'90s PC titles.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |